Also, we're still on Book Watch, so we're kind of in limbo as far as what we should be working on today, and when that happens, the (probably incorrect) answer is escapism.
But anyway, we can't miss Review Rednesday, especially on a week when we're set to review Noragami! (By the way, we're also pretty excited that a new volume of Missions of Love came out this week! I think we did that translation over a year ago.) So without further ado, here's the review! Spoiler level: high.
Noragami 13. Wow, this volume was intense. It was so intense and so fast that it almost feels like I dreamed the whole thing. But first, a very important detail must be addressed: is that a hidden Mickey in Yato's hair on the cover? Speaking of the cover, Yato looks oddly young. In fact, through the whole volume--at least in the flashbacks--Yato seemed to fluctuate in age. I guess that kind of thing can happen with a god, or it was unintentional.
Anyway, this volume did go in a different direction than we were expecting. After all the stuff with Sakura in the previous volume, we were pretty sure it would start heading for Yukine backstory land, but Hiyori and Koto took us on a detour! This is a very good thing, actually, because we have it in our heads that Yukine's backstory is going to be like the Main Thing, and once they get to it, the series will end. And that would be very sad. Right now, we have a theory that Yukine is somehow related to Hiyori's brother, based solely on the fact that we never get a clear shot of Hiyori's brother's face in the one flashback where he shows up. And wow, this volume was jumping around the timeline. But it was fun.
I'm not sure I can write coherently about this volume, actually, because even though we read through the whole thing again today, my thoughts are all scattered around because of Disneyland arriving in the middle of busyness. So we had this wall of intense focus set up, and then a trip to Disneyland came along and shattered it into little pieces. Either that, or I'm having a hard time focusing because I've had a cold.
Anyway, one main thing that we noticed was Chiki. In the hands of Yato's father, the stray becomes a kind of staff used by a Buddhist priest. We have no idea what this means for the character or the series, but we think it's important to note. It's also worth noting that in his battle with Yato, Koto is wearing an outfit that resembles the garb of a Buddhist monk. The interesting thing about all of it is that the whole series is very heavily rooted in Shinto mythology, so then you bring a Buddhist priest along and it's like what are you trying to say, exactly? ...Come to think of it, it might just be a jab at (or nod to, if it's friendly) the Rumiko Takahashi series Rin-ne, with its similar but much more Buddhist premise. (I guess this would be a good time to point out that in the anime, Koto is voiced by the same actor as Rinne. Now I'm starting to wonder if that was intentional.)
What happened in this book again? Oh right, Hiyori! Oh my goodness, that was some serious stuff! It was especially interesting to see Hiyori's thought process as she was turning into an ayakashi and how that drove her to attack Yato. It makes you wonder if all ayakashi feel similarly. Probably not all, actually, but most maybe? Like the little girl that Yukine wanted to help. In fact, that little girl may have been a hint that ayakashi aren't just monsters to be feared, but are perhaps souls to be saved, as well.
Which reminds me of Sakura again...and I thought I had something to say about that, but now I can't remember what. Oh yeah! I have a little theory (that I'm not super attached to) that maybe a shinki can become an ultimate vessel if he or she learns his real name and gets his or her memories back and can still maintain a human form. On the other hand, we have a theory that the stray knows her real name (as evidenced by her little transformation when she attacks Yukine in volume twelve), so if the first theory were true, she would already be an ultimate vessel.
And speaking of the stray, WHAT DID SHE DO TO TSUGUHA!? Aaaaaaaahhhhh!!! That's so scary! And Yukine, too! It looked like she nicked his name! Can that heal on its own, or is that going to be an issue? It's probably going to be an issue, isn't it? And oh no, Tsuguha! She gets all the bad luck, man! I really hope she's okay.
But back to Sakura. We pulled out volume nine, because there's a flashback to when Ebisu summoned ayakashi and we wanted to make sure it matched, which meant checking the picture to see what the original Japanese was, but the point is, after that, I had a copy of volume nine sitting on the desk next to me, and it has Izanami on the cover in her Yato-seducing form. As you all know, she looks a lot like Hiyori, but one thing we didn't notice before (because we couldn't have known it was significant) is that she has a lock of hair with beads on it that looks exactly like the lock of hair that fell to the ground when Yato slew Sakura. Awwwwww. Poor little Yato. I still have this vague hope that Sakura can be brought back somehow. They have introduced the queen of the dead, after all, so maybe?
I want to comment again on how great Yukine is! Reading books on gardening and shrine building! Awwwwwww!!! He's so sweet and helpful!
Now back to Yato and the whole thing about making Hiyori his shinki. Oh man, that would have been wild. But she wouldn't have remembered who she was before, so it really would have been pretty depressing (and exactly what Yato's father wanted, of course; then he'd just take Yukine away and Yato would have lost all his support in becoming a god of happiness). But here's the other interesting thing: back in volume one, Yato told Hiyori he would have liked to make her his shinki, but he didn't. The best explanation for this is that he was remembering what Sakura taught him, which means Adachitoka has definitely thought this story through and once again disproves the theory set forth by a certain reviewer that the series "has no idea where it's going."
And the other really sweet thing about how that whole chapter went down. It's mostly come up in gags and little asides made in passing (or quickly interrupted) that Yato desperately wants to marry Hiyori. So the scene where he tells her he can't make her his shinki, even if it is what she really wants, is that much more touching. He loves her so much, and that's exactly why he can't tie her to him. Oh man, it's so great and so sad. Oh, but the way Hiyori recovers after everything. She was so cool, telling Koto she would rebuild the hospital. I'm still a little worried about that line, because it's really a pretty straightforward translation, but it carries so much weight. There's the obvious part in that it means just what it says, but it also means she's made up her mind about what she wants to do with her future (and her indecision on that point was a major theme of this volume), and that she's not afraid of Koto. It's just so intense!
Other than that...the scene with the brushes, and the scene where Koto accuses Hiyori of liking Yato, and the scene where Yato and Yukine are being her bodyguards are all really great! What I really love about that last one is how Yukine is never afraid to call Yato out on his nonsense or say, "No, that's stupid," but when it comes to keeping Hiyori safe, he's all in, regardless of the ridiculousness the job may entail. That's another thing I really love about this series: how much everybody cares about each other. (The gag manga at the end with the sharks was great, too!)
Oh man, this series is sooooo good! You guys have to read it!!!
Today I'm thankful for getting to look back on Noragami (now that we're all caught up with the Japanese releases, we don't see it nearly as frequently (for now, that's a good thing)), getting close to another ending in Labyrinth of Andersen (maybe someday I'll have time to write more about that), having plans for a birthday trip to Disneyland (actually, we have tentative plans for two), really enjoying the series we worked on yesterday (and will probably work on today unless the FedEx guy shows up in the next ten minutes), and the birds chirping outside.