Oh my gosh, you guys, this volume was so good! I have so much to say and I don't know if I can remember all of it and I didn't take notes, so I hope I remember all of it, but at least we're actually writing this review before starting work on anything else, so hopefully that will help.
First of all,
Anyway, I actually kind of had mixed feelings about this chapter, because of Yato using terms like "Capyper Land virginity" [sexualizing everything] and when they messed up the photo on Splash Slider he used a very naughty word, which we translated to something weaker because the rating on Noragami doesn't really allow for that sort of language and it's a FAMILY park, dangit! Normally I'd just be like, "That's Noragami for you..." but it was a time when I was feeling extra frustrated about all the Disney fan works that, for example, have the princesses as victims of domestic abuse. It just seems like everybody is taking all these characters that are so pure and innocent and making them...not pure and innocent. And maybe that's your view on what the real world is like, and you're welcome to have that opinion, but leave my Disney characters out of it, please!
So I was a little unhappy about that, but everything else was soooo good! ...Well. Except for Kofuku. It was still good, don't get me wrong! It's just...so, Disneyland is a really big part of our lives, so it shows up in our dreams a lot. But they're dreams, so they're never quite exactly what the park really looks like. In fact, when we went to Tokyo Disneyland the first time, it was a very similar feeling, because it was so much like our Disneyland, but not, so it was like the Disneylands we see in our dreams. And the thing about those dreams is that they're not always happy, so it really creates a kind of...uncanny valley sort of effect? I don't know what to call it, but whatever it is, it's creepy.
So you take that and put it through the filter of parody because you can't use the exact same place in a manga if you don't want to get sued, and now it's definitely a bizarro version of Disneyland. And then! thanks to Kofuku, things start going wrong all over the place, so it's definitely going into Disneyland Nightmare territory. (It didn't help matters at all that, the day after we did our first draft, we went to Disneyland and when we went on It's A Small World, our boat just STOPPED in front of the hippopotamus! That kind of thing has NEVER happened before, except in my bizarro Disneyland dreams.) I don't know if we could've handled it if Yato and Yukine weren't so happy the whole time. But anyway, we can definitely relate with Yato saying, "It wasn't supposed to be like this."
...Which reminds me, Hiyori! She was so unhappy the whole time, and while we definitely understand her feelings, we still hate to see people unhappy at Disneyland. Especially when they're with people who are so happy to be there and they want everyone else to be happy, too. Seriously, all of our greatest Disneyland nightmares were represented in this chapter. ...Maybe not all of them, but it was definitely a good sampling.
But there were redeeming points! Namely: Capyper. Seeing the suit unzipped is far from a Disneyland nightmare for us (though it may be a Disneyland nightmare for someone else), so Yato's disillusionment was more of a tragic gag. But most important there was the Capyper that was taking pictures with them. First, it was soooo great to see Yato and Yukine being noticed by someone they (or at least Yato) wanted to be noticed by. And Yato was so very, very happy.
But second, and I want to point out that we had no foreknowledge that we would be translating a Noragami chapter about Disneyland when we did this, but the day before we translated this book, we had been thinking about our first trip to Tokyo Disneyland and our experience with Br'er Fox, so we went to LiveJournal to see what all we'd said about it. And it was pretty much the exact same experience. We were sitting there eating churros, watching the characters interact with the kids, and one of them noticed us and came over to take a picture. I guess the characters are trained to notice everyone, but at the time, we thought, "Adachitoka, are you channeling our life!?" We also toyed with the idea that maybe one of the Noragami voice cast hadn't really broken into the industry when we were at Tokyo Disneyland, and was supplementing their income by working as a kigurumi character. So when Disneyland came up in conversation with Noragami people, they related an experience...
...Yeah, we have delusions.
Aaaanyway. Now that I've used up all my energy talking about the trip to Capyper Land (and we didn't even talk about Yukine falling under the park's spell! but really all I have to say is this: "Bwahaha!" And this: "Eeeeee!" And this: "See? Disneyland is magical."), I still have a ton of other stuff to talk about. And I even skipped over the first chapter, which had so much great stuff! The smartphone! Oh my goodness, the smartphone! And the best thing is it actually stayed in the series. Apparently nothing is a throw-away gag to Adachitoka. If it gets brought up once, it's there to stay, including the rhinoceros beetle gag. That was so awesome! I'm so glad we didn't try to come up with something that made sense back when it got mentioned the first time, because we would have been so wrong.
And the stories about Kazuma helping him out! Awww, Kazuma is such a nice guy. We loved how he was like, "There's something I've been meaning to tell you..." Oh my goodness, and the comic about Lion Bishamon! It was so stupid! Bwa ha ha ha ha!
This whole volume seemed to address a lot of back story, like with Kazuma, and then with Daikoku. Ooohh, poor Daikoku. The story of Kofuku making him her shinki is so great. I love how at first he's like, "What...?" but he seems to catch on pretty quickly. They are such a cute couple!
This is also where we started using American Girl for reference. Adachitoka seems to really like using different terms for "father", and we don't know enough Japanese to know if it's period or whatever, but we figured what the heck, why not try to make it period? So we kind of guessed at a time frame for when Daigo was around. When Daikoku goes to see Yato (that scene was so emotional!), Yato is wearing boots, and there are gas lamps and stuff, so we figured it was around the early 1900s when Daigo was sent away. So we checked all the years for American Girls and decided that Addy was probably contemporary at some point during Daigo's stint as Kofuku's shinki (we think he might be one of the Kagome Children now, since they said the Heavenly Guard took him in). So we went to the American Girl wiki and found the character description for her dad, thus reminding ourselves that Addy called her father "Poppa", and that's how we decided what to have Daigo call Daikoku! Tadah!
Then, when we were going over Kiyoko's story, we did the same thing, only looking up Molly's mother.
But anyway, speaking of Daikoku, let's talk about the anime. Sometimes, when we're watching the opening sequence of season two, we'll notice that the theme sung is sung by an artist/group that goes by "The Oral Cigarettes", and we always think, "Oral? As opposed to what? ...Never mind, I don't want to know." But, thanks to Daikoku, when we watched the anime this week, the name came up on the screen again, and I started to repeat the same old question, "Seriously, as opposed to... Oooooohhh. Nasal cigarettes!" ...I'm still not sure if I wanted to know. Kofuku says he looks cool smoking through his nose, but she was probably drunk when she said that, because we think it looks ridiculous. On the other hand, it's Kofuku, so she might agree even sober.
The story about them popping the economic bubble was great.
The last chapter is about Mayu's past, which is something we never expected to see. I mean, we figured they'd go into Yukine's past, just because of Yato's reaction when he sees Yukine's life story. But Mayu didn't seem like that important a character, I guess. That's mean of me to think. Sorry, Mayu! I think you're great!
Anyway, it was a great way to remind the readers that the gods know about their shinki's past, and it was so touching. The second time we went over it, it made me cry. The first time, I was too busy looking stuff up and sighing in exasperation over ikinasai versus ikinasai, and the third time I wasn't looking at the pictures. But the second time! *sniffle*
And then! not only did they say, "Hey, we're gonna go into Yukine's past!", but they also gave Yato more backstory, which makes me happy. I mean, Yato's been around for a long time, so it makes sense that he'd have a lot of backstory, but you never know how much of it is going to be significant to the main story. I look forward to reading about that, too!
Speaking of Yato, another important question raised by this volume is, "Is he gonna keep wearing his hair like that and let it grow out? Or is he just keeping it off his neck for the summer?" Only time will tell...
And finally, the gag manga! I really appreciate that Adachitoka gave us some insight into how the other characters would spend a day at
And so we come to the end of the review. The short version is, "Best volume ever!" Oh my gosh, I just realized we didn't even talk about Koto at all. Whatever, he's doing his thing. He's more of a jerk than we thought, but his character is fascinating. The scene in the library where he says he can't say no is especially intriguing. Is it part of his Koto persona? Or is it a real thing because he's a god and answering prayers is part of his job and means of survival? We may or may not find out when he shows his true colors...I say as if he hadn't been showing them in multiple scenes in this volume. I guess we may or may not find out when he shows his true colors to people other than the readers and the stray.
Ah, memories. Such a good volume. Seriously, you guys, this series is the best. If you haven't read it, then read it! Seriously!
Today I'm thankful for fond memories of Noragami 11, Noragami being next on our to-do list, it looking like we will be able to finish this rush job on time, seeing the light at the end of the tunnel, and being done with the hard part of doing laundry (getting started).